"Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: IV. Finale. Allegro molto" by Felix Mendelssohn, Artemis Quartet was released on April 7, 2014. Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: IV. Finale. Allegro molto is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Felix Mendelssohn, Artemis Quartet's "Mendelssohn: String Quartets, Nos. 2, 3 & 6" album is number 8 out of 12. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: IV. Finale. Allegro molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: IV. Finale. Allegro molto by Felix Mendelssohn, Artemis Quartet to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mendelssohn: String Quartet No. 2 in A Minor, Op. 13, MWV R22: I. Adagio - Allegro vivace | Felix Mendelssohn, Artemis Quartet | A Minor | 1 | 8A | 99 BPM | ||
Terzetto in C Major, Op. 74: II. Larghetto | Antonín Dvořák, Guarneri Quartet | D♭ Minor | 0 | 12A | 90 BPM | ||
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Piano Quartet in E flat, Op. 47: 2. Scherzo (Molto vivace) | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 1 | 6B | 105 BPM | ||
12 Etudes, L.136: 3. Pour les Quartes | Claude Debussy, Mitsuko Uchida | F Minor | 0 | 4A | 138 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 3. Allegro con fuoco-Allegro moderato (à la Zingara) | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | D Major | 2 | 10B | 96 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: IV. Allegro marziale animato | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 2 | 4B | 80 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Etudes-tableaux, Op. 39: No. 9 in D Major. Allegro moderato. Tempo di marcia | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Minor | 3 | 3A | 119 BPM |
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