Robert Schumann, Beaux Arts Trio, Samuel Rhodes's 'Piano Quartet in E flat, Op. 47: 2. Scherzo (Molto vivace)' came out on January 1, 1976. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Schumann: Piano Quartet; Piano Quintet". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Piano Quartet in E flat, Op. 47: 2. Scherzo (Molto vivace) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Quartet in E flat, Op. 47: 2. Scherzo (Molto vivace) by Robert Schumann, Beaux Arts Trio, Samuel Rhodes having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in G, H.XV No.41: 4. Finale (presto) | Franz Joseph Haydn, Beaux Arts Trio | G Major | 1 | 9B | 84 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Variations on a Rococo Theme, Op. 33 for cello and orchestra: Moderato assai quasi Andante - Thema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, Jiří Bělohlávek, BBC Symphony Orchestra | F♯ Minor | 0 | 11A | 109 BPM | ||
Schumann: Liederkreis, Op. 24: No. 3, Ich wandelte unter den Bäumen | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | B Major | 0 | 1B | 78 BPM | ||
12 Études, Op. 25: No. 6 in G-Sharp Minor | Frédéric Chopin, Jan Lisiecki | D♭ Minor | 2 | 12A | 70 BPM | ||
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 3. Satz | Alfred Brendel, Walter Klien, Vienna Volksoper Orchestra | C Major | 2 | 8B | 74 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Violin Concerto in D Major: III. Aria II | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | G Major | 1 | 9B | 84 BPM | ||
Schumann, Clara: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 2, Er ist gekommen in Sturm und Regen (Leidenschaftlich - Ruhig) | Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser | A♭ Major | 2 | 4B | 101 BPM |
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