"Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 3. Satz" by Alfred Brendel, Walter Klien, Vienna Volksoper Orchestra was released on September 28, 2006. Since Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 3. Satz is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Amadeus Mozart - Klavierkonzerte by Alfred Brendel. The song's track number on the album is #3 out of 6 tracks. Based on our data, Austria was the country where this track was produced or recorded. Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 3. Satz is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 3. Satz by Alfred Brendel, Walter Klien, Vienna Volksoper Orchestra has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 3. Satz being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations and Fugue on a Theme by Handel, Op. 24: Variation IX - Live | Johannes Brahms, Alfred Brendel | B♭ Major | 2 | 6B | 111 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Holberg Suite, Op. 40: I. Prelude | Edvard Grieg, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 70 BPM | ||
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Piano Sonata No. 16 in A Minor, Op. 42, D. 845: I. Moderato | Franz Schubert, Walter Klien | C Major | 0 | 8B | 146 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM |
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