"Luna: 2. Llévame Niño Pal Cura" by José María Cano, Ainhoa Arteta, London Symphony Orchestra was released on December 21, 2018. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in José María Cano, Teresa Berganza, Plácido Domingo, Ainhoa Arteta, Renée Fleming, London Symphony Orchestra's "Luna (Canciones, Romanzas Y Danzas)" album is number 2 out of 9. In terms of popularity, Luna: 2. Llévame Niño Pal Cura is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Luna: 2. Llévame Niño Pal Cura by José María Cano, Ainhoa Arteta, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot - Nesum dorma | Virtuosi Di Praga, Alberto Jelmoni | D Major | 2 | 10B | 79 BPM | ||
Le carnaval des animaux: Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | G Major | 0 | 9B | 88 BPM | ||
Allegro Non Molto (Summer - The Four Seasons Op 8 No 2) | Antonio Vivaldi, Vanessa-Mae | G Minor | 4 | 6A | 78 BPM | ||
The Journey | Elliot Goldenthal | B♭ Major | 1 | 6B | 89 BPM | ||
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise | Sergei Rachmaninoff, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | F♯ Minor | 2 | 11A | 84 BPM | ||
Madame Butterfly, Act 2: "Un bel di vedremo" | Maria Callas | D♭ Major | 1 | 3B | 169 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Les Pecheurs De Perles: Je Crois Entendre Encore | Alfredo Kraus, Georges Bizet, Nicola Rescigno, Orquesta Manuel de Falla | A Minor | 1 | 8A | 81 BPM | ||
Nocturne No.20 in C sharp minor, Op.posth. | Frédéric Chopin, Kyung Wha Chung, Phillip Moll | D♭ Minor | 1 | 12A | 100 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM |
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