"Extrait "Casta Diva"" by Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan was released on 1965. Since Extrait "Casta Diva" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Trois jours avec... Maria Callas - Les Grandes Heures". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Extrait "Casta Diva" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Extrait "Casta Diva" by Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Danza - Tarentelle Napolitaine | Gioachino Rossini, Roberto Alagna, London Orchestra, Yvan Cassar | F Major | 5 | 7B | 142 BPM | ||
Vocalise, Op. 34, No. 14 - Remastered | Sergei Rachmaninoff, Anna Moffo, Leopold Stokowski, American Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 1: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Mady Mesple, Jean-Pierre Marty, Orchestre du Théâtre National de l'Opéra de Paris | A♭ Major | 1 | 4B | 82 BPM | ||
Alyabyev: Solovey | Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | D Minor | 1 | 7A | 88 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | A Major | 1 | 11B | 184 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 2 | 11B | 76 BPM |
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