"Alyabyev: Solovey" by Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester was released on March 15, 1998. With this song being about 5 minutes long, at 5:15, "Alyabyev: Solovey" by Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vocalises by Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester. The song's track number on the album is #2 out of 11 tracks. Based on our data, France was the country where this track was produced or recorded. Alyabyev: Solovey is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Alyabyev: Solovey by Alexander Alyabyev, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Alyabyev: Solovey being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Paganini / Arr. Kreisler: Violin Concerto No. 2 in B Minor, Op. 7 "La campanella": III. Rondo "La campanella" | Niccolò Paganini, Julie Berthollet, Guillaume Vincent | B Minor | 2 | 10A | 142 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
Se tu m'ami (formerly attributed to Pergolesi) | Alessandro Parisotti, Cecilia Bartoli, György Fischer | F Minor | 0 | 4A | 76 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major (arr. for orchestra) | Antonín Dvořák, Budapest Strings, Béla Bánfalvi | F♯ Major | 0 | 2B | 111 BPM | ||
Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 3 | 6A | 112 BPM | ||
Quartet for Four Flutes in G Major: I. Allegro (Arr. Nikolai Platonov) | Alexander Alyabyev, Alexander Korneyev, Albert Gofman, Vladimir Pakulichev, Leonid Lebedev | G Major | 2 | 9B | 67 BPM | ||
Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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