"Se tu m'ami (formerly attributed to Pergolesi)" by Alessandro Parisotti, Cecilia Bartoli, György Fischer was released on January 1, 1992. The duration of Se tu m'ami (formerly attributed to Pergolesi) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Se tu m'ami (formerly attributed to Pergolesi)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Cecilia Bartoli - Arie Antiche: Se tu m'ami by Cecilia Bartoli, György Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Se tu m'ami (formerly attributed to Pergolesi) is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Se tu m'ami (formerly attributed to Pergolesi) by Alessandro Parisotti, Cecilia Bartoli, György Fischer is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Carmen, WD 31 (Excerpts): Act I: L'amour est un oiseau rebelle (Habanera) | Georges Bizet, Herbert von Karajan, Wiener Philharmoniker | D Major | 0 | 10B | 127 BPM | ||
Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Minor | 4 | 9A | 81 BPM | ||
Ah Perfido!, Op. 65: "Ah crudel! tu vuoi ch'io mora!" | Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 3 | 5B | 102 BPM | ||
Pur dicesti, o bocca bella | Antonio Lotti, Cecilia Bartoli, György Fischer | D Major | 0 | 10B | 97 BPM | ||
Dumka | Frédéric Chopin, Olga Pasichnyk, Natalya Pasichnyk | F Major | 2 | 7B | 133 BPM | ||
Chi vuol la zingarella (from Zingari in Fiera) | Giovanni Paisiello, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 80 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Dichterliebe, Op. 48: 1. Im wunderschönen Monat Mai | Robert Schumann, Fritz Wunderlich, Hubert Giesen | B Minor | 0 | 10A | 74 BPM |
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