Johann Sebastian Bach, Hilary Hahn made "Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande" available on 1997. With this song being about 5 minutes long, at 5:12, "Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande" by Johann Sebastian Bach, Hilary Hahn is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Hilary Hahn's "Hilary Hahn Plays Bach" album is number 8 out of 16. Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande by Johann Sebastian Bach, Hilary Hahn to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): III. Andante | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Mercy - Live | Max Richter, Hilary Hahn, Cory Smythe | B♭ Minor | 1 | 3A | 99 BPM | ||
Double Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043: 1. Vivace - Live From Yellow Lounge | Johann Sebastian Bach, Anne-Sophie Mutter, Nancy Zhou, Mutter's Virtuosi, Mahan Esfahani | D Minor | 3 | 7A | 110 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Sonata for Violin and Piano in A Major: Allegretto ben moderato | César Franck, Ray Chen | A Major | 0 | 11B | 60 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |
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