Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach made "Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro" available on March 23, 1998. The duration of Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro is about 3 minutes long, at 3:23. Based on our data, "Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach : Concertos For Two, Three And Four Harpsichords" album is number 15 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro is currently average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro by Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Violin Sonata in C Major, K. 296: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong | C Major | 2 | 8B | 94 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Robert Levin, Renaud Capuçon, Orchestre de Chambre de Lausanne | G Major | 1 | 9B | 125 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro | Milan Munclinger, Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague | E Minor | 3 | 9A | 103 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Pieter Schoeman, Vesselin Gellev, David Parry, London Philharmonic Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 2 | 6A | 115 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM |
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