On 1984, the song "Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro" was released by Milan Munclinger, Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague. With this song being about 5 minutes long, at 5:13, "Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro" by Milan Munclinger, Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Bach: 3 Concertos for Flute by Johann Sebastian Bach, Jean-Pierre Rampal, Ars Rediviva Orchestra of Prague, Milan Munclinger. In terms of popularity, Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Flute Concerto in E Minor (After J.S. Bach's Geist und Seele wird verwirret, BWV 35): I. Allegro by Milan Munclinger, Johann Sebastian Bach, Jean-Pierre Rampal, Frantisek Sláma, Frantisek Posta, Josef Hála, Ars Rediviva Orchestra Of Prague is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for 2 Oboes and String Orchestra in C Major, Op. 7 No. 5: III. Allegro | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 114 BPM | ||
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Concerto for 2 Recorders in A Minor, TWV 52:a2: II. Vistement | Georg Philipp Telemann, Prague Chamber Orchestra, Milan Munclinger, Jiří Stivín, Miloslav Klement | B♭ Major | 3 | 6B | 102 BPM | ||
Cello Concerto No. 4 In C Major, G. 481: II. Adagio | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | G Major | 0 | 9B | 96 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Partie 5 en si bémol majeur: Gavotte - Variatio | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 125 BPM | ||
Sonata No. 10 in B Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | B Minor | 4 | 10A | 120 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM |
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