Louis-Antoine Dornel, Musica Barocca made "Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue" available on July 29, 2008. With Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 35 in Dornel, L.-A.: 6 Suittes En Trio by Louis-Antoine Dornel, Musica Barocca. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue by Louis-Antoine Dornel, Musica Barocca is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in D Minor, Op. 4, No. 1: IV. Allegro | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Sonata in A Major for Two Violins and Bass Continuo: II. Untitled | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Organ Sonata No. 6 in G Major, BWV 530 (Arr. for Recorder & Harpsichord by Lorenzo Cavasanti & Alessandro Padoan): III. Allegro | Johann Sebastian Bach, Lorenzo Cavasanti, Alessandro Padoan | E Minor | 3 | 9A | 92 BPM | ||
Concerto for Cor Anglais, Strings and Basso Continuo in G Major: II. Adagio | Johann Sebastian Bach, Dominik Wollenweber, Madeleine Carruzzo, Simon Roturier, Ignacy Miecznikowski, Solene Kermarrec, Ulrich Wolff, Raphael Alpermann | D♭ Major | 0 | 3B | 138 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Deuxieme Suite in B Minor: III. Sarabande: La Descosteau | Louis-Antoine Dornel, Dan Laurin, Mogens Rasmussen, Leif Meyer | B♭ Minor | 1 | 3A | 115 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
6 Sonates meleese de pieces, Op. 2: V. Sonata in D major "La Chauvet”: VI. Gavotta "La Dedale" | Michel Blavet, Claudio Ferrarini, Accademia Farnese | A♭ Major | 0 | 4B | 119 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM |
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