Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston's 'Sonata No. 7 in E Minor "La magnifique": I. Prélude' came out on February 12, 2021. With Sonata No. 7 in E Minor "La magnifique": I. Prélude being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston's "La magnifique" album is number 1 out of 31. Based on our statistics, Sonata No. 7 in E Minor "La magnifique": I. Prélude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No. 7 in E Minor "La magnifique": I. Prélude by Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Caro dolce ben mio - diminutions by Giovanni Bassano | Andrea Gabrieli, Gawain Glenton, Silas Wollston | B♭ Minor | 1 | 3A | 64 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Miserere: Quoniam iniquitatem meam | Louis-Nicolas Clérambault, Hasnaa Bennani, Claire Lefilliâtre, Isabelle Druet, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 72 BPM | ||
Le printemps di Vivaldi: I. Allegro | Jean-Jacques Rousseau, Barthold Kuijken | D♭ Major | 1 | 3B | 80 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Trio Sonata No. 5 in D Major, Op. 2, Trio Sonata No. 1 in E Minor: I. Adagio | Jean-Joseph Cassanéa De Mondonville, Ensemble Diderot, Johannes Pramsohler | C Major | 1 | 8B | 97 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Sinfonia in E Major: V. Allegro | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM |
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