John Blow, Palladian Ensemble made "Sonata in A Major for Two Violins and Bass Continuo: II. Untitled" available on March 1, 1993. With Sonata in A Major for Two Violins and Bass Continuo: II. Untitled being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 23 in An Excess of Pleasure by Palladian Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sonata in A Major for Two Violins and Bass Continuo: II. Untitled's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata in A Major for Two Violins and Bass Continuo: II. Untitled by John Blow, Palladian Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Suite No. 5 in D Minor: III. Saraband | John Blow, Ruth Dyson | G Major | 5 | 9B | 93 BPM | ||
But in the close of night | John Blow, Iestyn Davies, James Hall, The King's Consort, Robert King | D♭ Minor | 0 | 12A | 69 BPM | ||
Suite in D: III. Fantaisie champêstre | Marin Marais, Palladian Ensemble | D♭ Major | 1 | 3B | 74 BPM | ||
The Broken Consort, Pt. 2, Suite No. 3 in D Minor/Major: IV. Ayre | Matthew Locke, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Divisions on a Ground in G Major | Anonymous, Palladian Ensemble, Pamela Thorby | F♯ Major | 0 | 2B | 102 BPM | ||
Sonata Sexta in F Minor for Violin: II. Allegro | Daniel Purcell, La Rêveuse, Florence Bolton, Benjamin Perrot, Stephan Dudermel | B♭ Minor | 0 | 3A | 135 BPM | ||
Violin Sonata in B-Flat Major, T. So 34: IV. Sarabanda | Tomaso Albinoni, Davide Belosio, I Solisti Ambrosiani | A♭ Major | 0 | 4B | 120 BPM |
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