Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach's 'Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano' came out on March 23, 1998. Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in Cologne Chamber Orchestra's "Johann Sebastian Bach : Concertos For Two, Three And Four Harpsichords" album is number 8 out of 15. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Water Music Suite No.1 In F, HWV 348: 5. Air | George Frideric Handel, The English Concert, Trevor Pinnock | E Major | 1 | 12B | 75 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Brandenburg Concerto No. 4 in G BWV1049: I. Allegro | Johann Sebastian Bach, Monica Huggett, Orchestra of the Age of Enlightenment | F♯ Major | 1 | 2B | 89 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Overture in D Minor, TWV 55:2: Sarabande | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | G Minor | 1 | 6A | 102 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM |
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