"Overture in D Minor, TWV 55:2: Sarabande" by Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire was released on July 11, 2013. With Overture in D Minor, TWV 55:2: Sarabande being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 232 in the song's album "Telemann: Overtures". In this album, this song's track order is #52. In terms of popularity, Overture in D Minor, TWV 55:2: Sarabande is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture in D Minor, TWV 55:2: Sarabande by Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: V. Réjouissance. VisteTelemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: V. Réjouissance | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough | E♭ Major | 0 | 5B | 130 BPM | ||
Concerto for Viola, Strings and Continuo in G Major, TWV 51:G9: IV. Presto | Georg Philipp Telemann, Nils Mönkemeyer | G Major | 3 | 9B | 134 BPM | ||
Sonata in D Minor, K.32: Aria | Domenico Scarlatti, Daria van den Bercken | D Minor | 0 | 7A | 110 BPM | ||
Suite No. 2 in B Minor, BWV 1067: II. Rondeau | Johann Sebastian Bach, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 143 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM |
Section: 0.6435096263885498
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