"Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio" by Johann Gottlieb Goldberg, London Baroque was released on May 28, 2013. The duration of Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio is about 3 minutes long, at 3:15. Based on our data, "Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio by Johann Gottlieb Goldberg, London Baroque having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Flute Concerto In G Minor, Op.10, No.2, RV439 - "La notte": 3. Largo | Antonio Vivaldi, Philip Pickett, New London Consort | E Major | 0 | 12B | 123 BPM | ||
Trio Sonata No. 1 in E-Flat Major, BWV 525: III. Allegro (Arr. R. Gwilt) | Johann Sebastian Bach, London Baroque | E Major | 4 | 12B | 117 BPM | ||
Sett No. 1: Galliard | William Lawes, London Baroque | F♯ Minor | 1 | 11A | 87 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Concerto Grosso, Op. 6, No. 01 in G Major (HWV 319): A tempo giusto | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Major | 0 | 2B | 87 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
Torelli: Trumpet Concerto in D Major: III. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 111 BPM | ||
Trio Sonata in G Minor, Op. 6 No. 7: III. Giga. Presto | Francesco Antonio Bonporti, London Baroque | E Major | 1 | 12B | 106 BPM |
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