- BPM
- 113
- Key
- F♯ Minor
- Camelot
- 11A
The Fairy Queen, Z. 629: Prelude - Henry Purcell, Vox Orchester, Lorenzo Ghirlanda Information
- Acousticness
- 86%
- Danceability
- 35%
- Energy
- 39%
- Instrumentalness
- 34%
- Liveness
- 19%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 76%
- Popularity
- 45%
- Loudness
- -13.188 dB
Summary
Henry Purcell, Vox Orchester, Lorenzo Ghirlanda made "The Fairy Queen, Z. 629: Prelude" available on May 10, 2019. With The Fairy Queen, Z. 629: Prelude being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Purcell & Locke: Orchestral Works". In this album, this song's track order is #29. In terms of popularity, The Fairy Queen, Z. 629: Prelude is currently average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The Fairy Queen, Z. 629: Prelude BPM
With The Fairy Queen, Z. 629: Prelude by Henry Purcell, Vox Orchester, Lorenzo Ghirlanda having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The Fairy Queen, Z. 629: Prelude Key
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Tempest: A Canon 4 in 2 | Matthew Locke, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 2 | 11A | 103 BPM | |
 | Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | |
 | Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | |
 | I. Basse-Danse | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 3 | 7A | 191 BPM | |
 | Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | |
 | Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | |
 | St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | |
 | Overture in G Minor, Z. 772 | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 59 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7344844341278076
End: 0.7376270294189453