Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) - Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman Information

Acousticness: 96%
Danceability: 45%
Energy: 26%
Instrumentalness: 88%
Liveness: 67%
Loudness: 67%
Speechiness: 18%
Valence: 34%
Popularity: 10%
Loudness: -19.918 dB

Summary

Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman's 'Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel)' came out on 1991. Since Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 9 in Collaborations - Works by Tchaikovsky, Dvorák, Halvorsen, Walton and Williams by Itzhak Perlman. In terms of popularity, Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) BPM

The tempo marking of Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) by Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Passacaglia and Sarabande for Violin and Viola (With Variations on a Theme by Handel) Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia	Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi	E♭ Major	2	5B	49 BPM
12 Bagatelles, Op. 13: No. 9. L'abeille (The Bee)	Franz Francois Schubert, Robert Koenig, Si-Qing Lu	E Minor	2	9A	104 BPM
Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): I. Allegro molto ma maestoso	Henri Casadesus, Yuli Turovsky, I Musici de Montréal	C Minor	1	5A	80 BPM
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	D Minor	0	7A	84 BPM
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice	Charles-Auguste de Bériot, Bella Hristova	A Minor	1	8A	102 BPM
Wind Quintet in E-Flat Major, Hess 19: III. Minuetto	Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi	E♭ Major	0	5B	82 BPM
Le grand cahier: X. L'incendie	Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov	B Major	3	1B	122 BPM
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro	Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden	F Minor	1	4A	128 BPM
Carmen, fantasie brillante, Op. 3, No. 3: Allegretto moderato	Jenő Hubay, Benjamin Schmid, Lisa Smirnova	G Major	3	9B	107 BPM
Vocalise, Op. 34, No. 14 - Version For Cello And Piano	Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov	E Minor	8	9A	128 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.5925426483154297

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