Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi's 'Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia' came out on February 25, 2022. With Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weber: Complete Chamber Music for Clarinet by Carl Maria von Weber, Davide Bandieri, Matteo Fossi, Quartetto Savinio. The song's track number on the album is #7 out of 14 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia by Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi has a tempo of 49 beats per a minute, the tempo markings of this song would be Lento (slowly). With Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia being at 49 BPM, the half-time would be 24 BPM with a double-time of 98 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: A la manière de... Borodine, M. 63 | Maurice Ravel, Bertrand Chamayou | F♯ Major | 1 | 2B | 83 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Berceuse, Op. 16 | Gabriel Fauré, Cocomi, Niu Niu | A Minor | 1 | 8A | 129 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat Major, Op. 26: Adagio ma non troppo | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | F Major | 1 | 7B | 81 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |
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