- BPM
- 76
- Key
- A Major
- Camelot
- 11B
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) - Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire Information
- Acousticness
- 98%
- Danceability
- 27%
- Energy
- 21%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 82%
- Speechiness
- 5%
- Valence
- 12%
- Popularity
- 9%
- Loudness
- -10.675 dB
Summary
"Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna)" by Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire had its release date on September 19, 2014. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 6 in Callas sings Mozart, Beethoven & Weber Arias - Callas Remastered by Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) BPM
The tempo marking of Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) by Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Mozart: Don Giovanni, K. 527: "Or sai chi l'onore" (Donna Anna) Key
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lucia di Lammermoor, Act I: Qui di sposa eterna | Gaetano Donizetti, Andrea Bocelli, Zuzana Markova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F Major | 2 | 7B | 101 BPM | |
 | Il barbiere di Siviglia / Act 1: No.4 Duetto: "All'idea di quel metallo" | Gioachino Rossini, Manuel Ausensi, Ugo Benelli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 3 | 9B | 71 BPM | |
 | Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | |
 | Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | |
 | Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | |
 | Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | |
 | Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Peuh! cette bière est détestable! (Hoffmann/Choeurs/Nathanaël/Hermann/Nichlausse/Lindorf) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | B Major | 1 | 1B | 91 BPM | |
 | Verdi: Un ballo in maschera, Act 2: "Oh, qual soave brivido" (Riccardo, Amelia) | Giuseppe Verdi, Maria Callas, Giuseppe Di Stefano, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 88 BPM | |
 | Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM |
- ISRC
- GBAYC1400535
- Label
- L-M Records/RCA Records