"Nabucco / Act 1: Sperate, o figli!" by Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin was released on January 1, 1983. With Nabucco / Act 1: Sperate, o figli! being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Nabucco by Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli. The song's track number on the album is #3 out of 44 tracks. Based on our statistics, Nabucco / Act 1: Sperate, o figli!'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Nabucco / Act 1: Sperate, o figli! by Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin has a tempo of 137 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Nabucco / Act 1: Sperate, o figli! being at 137 BPM, the half-time would be 68 BPM with a double-time of 274 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act I: Bimba dagli occhi pieni di malia | Giacomo Puccini, Mirella Freni, José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 2 | 7B | 82 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Dove sono i bei momenti" | Wolfgang Amadeus Mozart, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | C Major | 1 | 8B | 126 BPM | ||
La Bohème / Act 4: "Vecchia zimarra, senti" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | ||
Manon Lescaut / Act I: Ave, sera gentile | Giacomo Puccini, Robert Gambill, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 66 BPM | ||
Carmina Burana / III. Cour d'amours: "Stetit puella" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 1 | 7A | 180 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
Der fliegende Holländer / Act 3: "Steuermann, laß die Wacht!" | Richard Wagner, Peter Seiffert, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | G Major | 3 | 9B | 79 BPM | ||
Tannhäuser - Paris version / Act 1: "Geliebter, sag, wo weilt dein Sinn?" | Richard Wagner, Plácido Domingo, Agnes Baltsa, Philharmonia Orchestra, Giuseppe Sinopoli | A Minor | 1 | 8A | 77 BPM |
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