"Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach)" by Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa was released on January 1, 1989. With this song being about 5 minutes long, at 4:55, "Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach)" by Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jacques Offenbach, Orchestre National De France, Seiji Ozawa's "Jacques Offenbach: The Tales of Hoffmann" album is number 8 out of 48. In terms of popularity, Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) by Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Verdi: La forza del destino, Act 3: "Oh, tu che in seno agli angeli" (Don Alvaro) | Giuseppe Verdi, Riccardo Muti, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano | D Minor | 0 | 7A | 117 BPM | ||
Turandot: Act III Scene 1: Principessa divina! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM | ||
Rigoletto / Act 2: Ella mi fu rapita! | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | G Minor | 2 | 6A | 97 BPM | ||
Swan Lake, Op.20, TH.12 / Act 1: No.4d Pas de trois: Moderato | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 65 BPM | ||
Verdi: Aida, Act 2: "O Re, pei sacri numi" (Radamès, Il Re, Amneris, Sacerdoti, Popolo, Ramfis) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F♯ Major | 2 | 2B | 87 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Catarina Ligendza, Christa Ludwig, Plácido Domingo, Horst Laubenthal, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Minor | 2 | 11A | 75 BPM | ||
Swan Lake, Op.20, TH.12 / Act 2: No.12 Scène (Allegro) | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | D♭ Minor | 1 | 12A | 127 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Symphony No. 2 in C minor - "Resurrection": 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend - | Gustav Mahler, Boston Symphony Orchestra, Seiji Ozawa | D♭ Major | 2 | 3B | 75 BPM |
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