"Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa)" by Gaetano Donizetti, Maria Callas, Anna Maria Canali, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino was released on May 5, 2023. With Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 38 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Giuseppe Di Stefano, Maria Callas, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) by Gaetano Donizetti, Maria Callas, Anna Maria Canali, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino is Presto (very, very fast), since this song has a tempo of 184 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Addio del passato (From the Opera "Traviata") - Lisbonne 1958 | Maria Callas, Orchestre Sinfónica Nacional, Franco Ghione | F Major | 1 | 7B | 165 BPM | ||
Carmen (1997 - Remaster), Act II: Holà Carmen! | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 2 | 8B | 87 BPM | ||
Francesca da Rimini, Op. 4: Paolo datemi pace! | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | D Major | 1 | 10B | 93 BPM | ||
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
La forza del destino, Act I: Buona notte, mia figlia (Il Marchese di Calatrava/Donna Leonora) | Giuseppe Verdi, Giorgio Surian, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | A Major | 1 | 11B | 85 BPM | ||
Puccini: Turandot , Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Crowd) | Giacomo Puccini, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Elisabeth Schwarzkopf, Eugenio Fernandi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
L'assedio di Corinto / Giusto ciel: L'ora fatal s’apressa | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Medea (Medee) (Sung in Italian): Act III: Finale: E che? Io son Medea! (Medea) | Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini | D Major | 4 | 10B | 81 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM |
Section: 0.8530890941619873
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