"Don Pasquale: Tornami a dir che m'ami" by Angela Gheorghiu, Richard Armstrong, Roberto Alagna was released on 1996. The duration of Don Pasquale: Tornami a dir che m'ami is about 3 minutes long, at 3:25. Based on our data, "Don Pasquale: Tornami a dir che m'ami" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 14 in Duets & Arias by Angela Gheorghiu, Roberto Alagna. In terms of popularity, Don Pasquale: Tornami a dir che m'ami is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Pasquale: Tornami a dir che m'ami by Angela Gheorghiu, Richard Armstrong, Roberto Alagna is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le siège de Corinthe: Juste ciel ! | Gioachino Rossini, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | E Major | 0 | 12B | 79 BPM | ||
Les Pêcheurs de Perles, Act I: "Au fond du temple saint" | Georges Bizet, David Hobson, Teddy Tahu Rhodes, Thomas Woods, Sinfonia Australis | E♭ Major | 2 | 5B | 102 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K. 527 / Act II: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Anna Netrebko, Thomas Quasthoff, Staatskapelle Dresden, Sebastian Weigle | A Major | 1 | 11B | 109 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Amuri feritu | Roberto Alagna, London Orchestra, Yvan Cassar | F Minor | 3 | 4A | 135 BPM | ||
Carmen, Act II: No.15 Quintette : Nous avons en tête une affaire (Le Dancaïro/Frasquita/Mercédès/Le Remendado/Carmen) | Georges Bizet, Nicolas Rivenq, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | ||
Bachianas brasileiras No. 5 for Soprano and Cellos: Aria (Cantilena) | Heitor Villa-Lobos, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | F Major | 0 | 7B | 139 BPM |
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