"Alceste, Wq. 44 (Excerpts): Vivre sans toi" by Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman was released on December 4, 2020. Since Alceste, Wq. 44 (Excerpts): Vivre sans toi is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Munich Radio Orchestra, Cappella Coloniensis, Vienna Radio Symphony Orchestra, Serge Baudo, Lamberto Gardelli, Ferdinand Leitner, Anthony Spiri, Leopold Hager, Jessye Norman, Nicolai Gedda, Dietrich Fischer-Dieskau, Pilar Lorengar, Franco Bonisolli, Bavarian Radio Chorus, Thomas Moser, Kaaren Erickson, Ruth-Margret Putz, Elisabeth Söderström, Lothar Zagrosek, Jan-Hendrick Rootering, Iris Vermillion, Robert Gambill, Walton Groenroos, Alexandrina Milcheva, Kölner Rundfunkchor, Anne Tedards, Sylvia Greenberg, Ileana Cotrubas, Gabriele Fontana, Julie Kaufmann, Anna-Marie Rodde, Marga Schiml, Arnold Schoenberg Chor, Robrt Gambill, Chor des Osterreichischen Rundfunks, Annegeer Stumphius, Anna-Maria Rodde, Claes-Håkan Ahnsjö, Ulrich Ress's "Gluck: Opera Gala" album is number 5 out of 39. Alceste, Wq. 44 (Excerpts): Vivre sans toi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alceste, Wq. 44 (Excerpts): Vivre sans toi by Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Humperdinck : Hänsel und Gretel : Act 3 "Auf, wach auf, mein Jüngelchen" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 1 | 5B | 96 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Die Fledermaus: Act I: Trio: Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 4 | 9B | 142 BPM | ||
Lucia di Lammermoor, Act II: Appressati, Lucia | Gaetano Donizetti, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D Major | 1 | 10B | 88 BPM | ||
Il Turco in Italia / Act 1: "Che bel Turco! avviciniamoci" | Gioachino Rossini, Cecilia Bartoli, Michele Pertusi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM | ||
Liederkreis, Op. 39: In der Fremde | Robert Schumann, Jessye Norman, Irwin Gage | C Major | 9 | 8B | 136 BPM | ||
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
L'Olimpiade, Act II Scene 17: Aria. "Nel lasciarti" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Josh Lovell, Mathilde Ortscheidt, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 78 BPM | ||
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | B Minor | 2 | 10A | 125 BPM | ||
Il corsaro: Ah sì, ben dite - Tutto parea sorridere - Pronti siate a seguitarmi | Giuseppe Verdi, Michael Fabiano, London Voices, London Philharmonic Orchestra, Enrique Mazzola | A♭ Major | 2 | 4B | 78 BPM |
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