Robert Schumann, Jessye Norman, Irwin Gage made "Liederkreis, Op. 39: In der Fremde" available on December 1, 1976. The duration of Liederkreis, Op. 39: In der Fremde is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Liederkreis, Op. 39: In der Fremde's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Schumann: Frauenliebe und -leben; Liederkreis, Op.39". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Liederkreis, Op. 39: In der Fremde's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Liederkreis, Op. 39: In der Fremde by Robert Schumann, Jessye Norman, Irwin Gage having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | ||
Rückert-Lieder: Um Mitternacht | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | A Minor | 1 | 8A | 91 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Träumen, Op. 7 | Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar | B Minor | 2 | 10A | 88 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | ||
Mozart: An Chloe, K. 524 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Te Deum, WAB 45: 5. In te, Domine, speravi | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Major | 2 | 8B | 96 BPM | ||
6 Gedichte, Op. 14: No. 2, So fügt sich Blüt'- an Blütezeit | Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar | B♭ Minor | 1 | 3A | 121 BPM |
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