"Mozart: An Chloe, K. 524" by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Mozart: An Chloe, K. 524 is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Mozart: An Chloe, K. 524's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 18 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Mozart: An Chloe, K. 524 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: An Chloe, K. 524 by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Akt I: Zum letzten Liebesmahle gerüstet Tag für Tag | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | ||
Vier Lieder, Op. 2: II. Schenk Mir Deinen Goldenen Kamm (Jesus Bettelt) | Arnold Schoenberg, Barbara Hannigan, Reinbert de Leeuw | F♯ Major | 0 | 2B | 75 BPM | ||
Mörike-Lieder: No. 6, Er ist's | Hugo Wolf, Felicity Lott, Geoffrey Parsons | G Major | 1 | 9B | 91 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Kätes, Jeesus, siunaten hiljaa | Heikki Rainio, Pentti Kotiranta | F Minor | 1 | 4A | 80 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Mozart: Così fan tutte, K. 588, Act 2: " Ei parte!" - "Per pietà, ben mio" (Fiordiligi) | Wolfgang Amadeus Mozart, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E Major | 0 | 12B | 171 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM |
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