"Mörike-Lieder: No. 6, Er ist's" by Hugo Wolf, Felicity Lott, Geoffrey Parsons was released on May 1, 1989. With Mörike-Lieder: No. 6, Er ist's being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 19 in Felicity Lott Sings Wolf Songs by Hugo Wolf, Felicity Lott, Geoffrey Parsons. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mörike-Lieder: No. 6, Er ist's is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mörike-Lieder: No. 6, Er ist's by Hugo Wolf, Felicity Lott, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Mainacht, Op. 43/2 | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 1 | 5B | 135 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
La Grande Duchess de Gerolstein, Acte I: No 6: Marche militaire 'Adieu, adieu, tu pars...' (Tous) | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | E♭ Major | 4 | 5B | 131 BPM | ||
Ode for Saint Cecilia's Day (HWV76): What Passion cannot Music Raise and Quell | George Frideric Handel, Felicity Lott, The English Concert, Trevor Pinnock, Anthony Pleeth | D♭ Major | 2 | 3B | 114 BPM | ||
Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | A Minor | 0 | 8A | 86 BPM | ||
Sechs Lieder, Op. 48: Gruß, Op. 48/1 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | C Minor | 3 | 5A | 133 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
Six Lieder, Op.13: 3. Liebeszauber | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 1 | 5B | 103 BPM | ||
Sleep | Peter Warlock, Norman Bailey, Geoffrey Parsons | F Minor | 1 | 4A | 106 BPM | ||
An die ferne Geliebte, Op. 98: No. 3, Leichte Segler in den Höhen | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | C Major | 1 | 8B | 77 BPM |
Section: 1.2402446269989014
End: 1.2458317279815674