"Träumen, Op. 7" by Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar was released on February 9, 2024. With Träumen, Op. 7 being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Willy Heinz Müller: Träumen, Op. 7 only contains only one song in the album, we like to consider this song as a single. Based on our data, Switzerland was the country where this track was produced or recorded. Träumen, Op. 7 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Träumen, Op. 7 by Willy Heinz Müller, Rainer Maria Rilke, Mélanie Adami, Judit Polgar has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Träumen, Op. 7 being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seni Sevdim Diye | Muammer Sun, Fazıl Say, Senem Demircioğlu | D♭ Minor | 1 | 12A | 110 BPM | ||
Debussy: Apparition, CD 57, L. 53 | Claude Debussy, Sabine Devieilhe, Alexandre Tharaud | A♭ Minor | 1 | 1A | 89 BPM | ||
Pocket Poetry No. 2 "Hijo": III. Dolor y Recuerdos | Hugo Pinheiro, Amanda Aparicio, Edgar Gonsales | A♭ Minor | 1 | 1A | 144 BPM | ||
It Was a Lover and His Lass: It was a Lover and his Lass | Ralph Vaughan Williams, Anthony Rolfe Johnson, Simon Keenlyside, Graham Johnson, Duke Quartet | B Minor | 0 | 10A | 127 BPM | ||
Main dominée par le coeur, FP 135 | Francis Poulenc, Pierre Bernac | G Major | 3 | 9B | 75 BPM | ||
6 Lieder, Op. 31: No. 1. Es muss was Wunderbares sein | Franz Ries, Oskar von Redwitz, Äneas Humm, Judit Polgar | E♭ Major | 0 | 5B | 82 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Dichterliebe Op. 48: Im wundersschönen Monat Mai | Robert Schumann, Ian Bostridge, Julius Drake | B Minor | 0 | 10A | 174 BPM | ||
Mozart: An die Einsamkeit, K. 391 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Schubert: Im Abendrot, D. 799 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A♭ Major | 0 | 4B | 84 BPM |
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