"Schubert: Im Abendrot, D. 799" by Franz Schubert, Barbara Bonney, Geoffrey Parsons was released on January 1, 1994. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Schubert: Im Abendrot, D. 799 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Im Abendrot, D. 799 by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Lieder, Op.13: 5. Ich hab 'in deinem Auge | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 130 BPM | ||
Auf dem Strom, D. 943 | Franz Schubert, Michael Volle, Sjön Scott, Ulrich Eisenlohr | A Minor | 1 | 8A | 116 BPM | ||
Loreley | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | G Minor | 2 | 6A | 144 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Holberg Suite, Op.40: 4. Air (Andante religioso) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 67 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Auf dem Wasser zu singen, D. 774 | Franz Schubert, Renée Fleming, Christoph Eschenbach | A♭ Minor | 0 | 1A | 67 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM |
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