Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? "
Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor
Gluck: Orfeo ed Euridice
4:28 September 28, 2001
BPM
71
Key
G Major
Camelot
9B

Embed

Share Link

Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " - Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor Information

Acousticness
96%
Danceability
20%
Energy
6%
Instrumentalness
0%
Liveness
24%
Loudness
63%
Speechiness
7%
Valence
6%
Popularity
Loudness
-22.231 dB

Summary

"Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? "" by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor was released on September 28, 2001. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor's "Gluck: Orfeo ed Euridice" album is number 11 out of 33. On top of that, France appears to be the country where this track was created. Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " BPM

We consider the tempo marking of Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " by Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerEin deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine WohnungenJohannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot GardinerE♭ Major15B124 BPM
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) by Philippe Jaroussky, Ensemble ArtaserseSalve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia)Philippe Jaroussky, Ensemble ArtaserseG Minor16A75 BPM
Ode for St. Cecilia's Day, HWV 76: Overture by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichOde for St. Cecilia's Day, HWV 76: OvertureGeorge Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichA♭ Minor01A96 BPM
Siface: Come Nave in mezzo all'onde by Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni AntoniniSiface: Come Nave in mezzo all'ondeNicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni AntoniniE Major412B140 BPM
Rinaldo / Act 2: Lascia ch'io pianga by George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 2: Lascia ch'io piangaGeorge Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher HogwoodE Major112B176 BPM
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) by George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio BonizzoniApollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio BonizzoniF♯ Major12B172 BPM
Wesendonck Lieder, WWV 91: Der Engel by Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald RunniclesWesendonck Lieder, WWV 91: Der EngelRichard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald RunniclesG Major29B126 BPM
Der Freischütz, J. 277 / Act III: Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle"Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos KleiberA♭ Major14B84 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice)Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'AmoreF♯ Major32B72 BPM
Si, Mi Chiamano Mimì - la Boheme Atto I by Renata TebaldiSi, Mi Chiamano Mimì - la Boheme Atto IRenata TebaldiD Major210B80 BPM
ISRC
FRZ140103110
Label
L-M Records/RCA Records

Section: 0.7161061763763428

End: 0.7203772068023682