"Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra)" by Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra was released on January 17, 2011. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Strauss : Lieder". In this album, this song's track order is #5. The popularity of Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) by Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90, Act II Scene 2: Einsam wachend in der Nacht | Richard Wagner, Janina Baechle, Nina Stemme, Peter Seiffert, Vienna State Opera Orchestra, Franz Welser-Möst | B Major | 1 | 1B | 67 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM | ||
Lohengrin / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A Major | 3 | 11B | 82 BPM | ||
5 Lieder, Op. 105: I. Wie Melodien zieht es mir | Johannes Brahms, Bernarda Fink, Roger Vignoles | C Minor | 0 | 5A | 69 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Waldeinsamkeit | Max Reger, Regula Mühlemann, Adrian Baianu | G Major | 1 | 9B | 104 BPM | ||
Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
Carmina Burana / III. Cour d'amours: "In trutina" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 89 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM |
Section: 0.6552901268005371
End: 0.6594228744506836