Max Reger, Regula Mühlemann, Adrian Baianu's 'Waldeinsamkeit' had a release date set for July 21, 2017. With This song being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Regula Mühlemann, Okka von der Damerau, Wolfgang Schwaiger, Adrian Baianu's "Lieder im Volkston" album is number 1 out of 32. In terms of popularity, Waldeinsamkeit is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Waldeinsamkeit by Max Reger, Regula Mühlemann, Adrian Baianu to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
La virtù trionfante dell'amore e dell'odio, ovvero il Tigrane, RV 740: Squarciami pure il seno (Aria) | Antonio Vivaldi, Regula Mühlemann | B♭ Minor | 2 | 3A | 135 BPM | ||
Die Schöpfung Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: Singt dem Herren alle Stimmen | Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | A♭ Major | 1 | 4B | 66 BPM | ||
Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Ildebrando D'Arcangelo, Mojca Erdmann, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B Minor | 9 | 10A | 180 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Carmina Burana: XXI. In trutina | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 170 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | E♭ Major | 1 | 5B | 124 BPM | ||
Sure on This Shining Night: Sure on This Shining Night | Felicity Lott, Graham Johnson | B♭ Major | 0 | 6B | 109 BPM |