- BPM
- 124
- Key
- E♭ Major
- Camelot
- 5B
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen - Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner Information
- Acousticness
- 99%
- Danceability
- 21%
- Energy
- 11%
- Instrumentalness
- 45%
- Liveness
- 11%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 19%
- Loudness
- -20.944 dB
Summary
"Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen" by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner was released on March 6, 2012. With this song being about 5 minutes long, at 5:11, "Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen" by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 9 in Brahms: Ein deutsches Requiem by John Eliot Gardiner. Based on our statistics, Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen BPM
The tempo marking of Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen by Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM | |
 | Il Parnaso confuso: Di questa cetra in seno | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 0 | 2B | 82 BPM | |
 | Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | |
 | Tosca / Act 2: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Renée Fleming, Mariinsky Orchestra, Valery Gergiev | E♭ Major | 1 | 5B | 106 BPM | |
 | Cantata No. 82, BWV 82 "Ich habe genug": I. "Ich habe genug" | Johann Sebastian Bach, Ann-Kathrin Bruggemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | D♭ Major | 2 | 3B | 142 BPM | |
 | To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | |
 | Jesus schläft, was soll ich hoffen, BWV 81: Aria: Die schaumenden Wellen von Belials Bachen (Tenor) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, William Towers, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, Paul Agnew, John Eliot Gardiner | D♭ Minor | 0 | 12A | 121 BPM | |
 | Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | |
 | Symphonie fantastique, Op.14: 4. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | G Minor | 0 | 6A | 79 BPM | |
 | Ich bin ein guter Hirt, BWV 85: Chorale: Der Herr ist mein getreuer Hirt (Soprano) | Johann Sebastian Bach, Katherine Fuge, William Towers, Norbert Meyn, Stephen Varcoe, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 0 | 1A | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.198103427886963
End: 1.2024085521697998