"Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea)" by Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar was released on January 5, 2009. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 3 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) by Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anonymous / Foggia: O quam clemens et pia, a 2 | Anonymus, Francesco Foggia, Philippe Jaroussky, Jean Tubéry | D Minor | 0 | 7A | 69 BPM | ||
Pergolesi: Confitebor: VII. Sicut erat | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | B Major | 3 | 1B | 69 BPM | ||
Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | F Minor | 0 | 4A | 102 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Duo seraphim | Claudio Monteverdi, Collegium Vocale Gent, La Chapelle Royale, Les Sacqueboutiers, Philippe Herreweghe | D Minor | 0 | 7A | 67 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Saint-Saëns: Violons dans le soir | Camille Saint-Saëns, Philippe Jaroussky, Jerome Ducros | F♯ Minor | 1 | 11A | 76 BPM | ||
Maria (sopra La Carpinese) | Jean-Philippe Guissani, Christina Pluhar, L'Arpeggiata, Barbara Furtuna | E Minor | 1 | 9A | 88 BPM | ||
Ave Regina coelorum (Sentimenti devoti espressi con la musica di due e tre voci, opera sesta, Libro secondo, 1660, G. Sala, Venezia) | Marie-Nicole Lemieux, Philippe Jaroussky, Ensemble Artaserse | D Minor | 2 | 7A | 119 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
L'Annonciation | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 88 BPM |
Section: 1.0867986679077148
End: 1.0901763439178467