"Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza was released on 1900. With this song being about 5 minutes long, at 5:03, "Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth"" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henry Purcell, Christina Pluhar's "Music for a While - Improvisations on Purcell" album is number 8 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Purcell / Arr. Pluhar: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" by Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise-étude en forme de Habanera, M.51 | Maurice Ravel, Todd Levy, Jeannie Yu | C Minor | 0 | 5A | 69 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Rossi: Il palazzo incantato, Act 2: Ballo di fantasmi | Luigi Rossi, Christina Pluhar | G Major | 1 | 9B | 92 BPM | ||
Rossi: L'Orfeo, Act 3: "Lasciate Averno" (Orfeo) | Luigi Rossi, Christina Pluhar, Véronique Gens | A Minor | 0 | 8A | 71 BPM | ||
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
Ah, vita bella ! | Lucilla Galeazzi, L'Arpeggiata, Christina Pluhar, Marco Beasley | G Minor | 4 | 6A | 74 BPM | ||
Danserye - Pavanen: No. 39. Mille regretz (Arr. for Baroque Ensemble by Christoph Lehmann) | Tylman Susato, Holland Baroque Society | A Minor | 0 | 8A | 89 BPM | ||
Les Pleurs (Mr. de Sainte Colombe, version viole seule de Jordi Savall) | Monsieur de Sainte-Colombe, Jordi Savall | D♭ Minor | 0 | 12A | 102 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Rappresentatione di Anima, et di Corpo, Atto primo: Scena seconda (Choro) | Emilio de' Cavalieri, L'Arpeggiata, Christina Pluhar | G Major | 1 | 9B | 117 BPM |
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