Luigi Rossi, Christina Pluhar's 'Rossi: Il palazzo incantato, Act 2: Ballo di fantasmi' came out on November 15, 2019. The duration of Rossi: Il palazzo incantato, Act 2: Ballo di fantasmi is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Rossi: Il palazzo incantato, Act 2: Ballo di fantasmi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Rossi: La lyra d'Orfeo & Arpa Davidica". In this album, this song's track order is #9. In terms of popularity, Rossi: Il palazzo incantato, Act 2: Ballo di fantasmi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossi: Il palazzo incantato, Act 2: Ballo di fantasmi by Luigi Rossi, Christina Pluhar having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" | Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | B Minor | 0 | 10A | 71 BPM | ||
Passacaglia | Giovanni Girolamo Kapsberger, Constantinople | A Minor | 1 | 8A | 88 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Nabucco: Prologo / Siamo a riva | Michelangelo Falvetti, Cappella Mediterranea, Leonardo García-Alarcón, Chœur De Chambre De Namur, Capucine Keller, Mariana Flores, Matteo Bellotto | B♭ Minor | 1 | 3A | 77 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": IV. Scotch Tune | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 107 BPM | ||
Diporti di Euterpe, Op. 7: Lagrime mie | Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei | E♭ Minor | 0 | 2A | 105 BPM | ||
Il giardino di Rose: Mentr'io godo in dolce Oblio | Alessandro Scarlatti, Maria Ladurner, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Folias Gallegas | Santiago De Murcia, Jordi Savall, Hespèrion XXI | D Major | 1 | 10B | 147 BPM | ||
Quatuor No. 6 in E Minor: VI. Modéré | Christophe Rousset, Masahiro Arita, Ryo Terakado, Kaori Uemura | E♭ Minor | 1 | 2A | 147 BPM |
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