"Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth"" by Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini was released on September 1, 2016. With this song being about 5 minutes long, at 4:37, "Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth"" by Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Serpent & Fire: Arias for Dido & Cleopatra". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas, Z. 626, Act III: "Thy Hand, Belinda...When I Am Laid in Earth" by Henry Purcell, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Hébée Op. 2 N°6 | Ernest Chausson, Susan Manoff, Sandrine Piau | A Minor | 0 | 8A | 86 BPM | ||
Don Juan: V. Moderato | Christoph Willibald Gluck, Il Giardino Armonico, Giovanni Antonini | D Major | 0 | 10B | 110 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
Handel: Dixit Dominus, HWV 232: I. Dixit Dominus Domino meo (Chorus) | George Frideric Handel, Emmanuelle Haïm, Le Choeur d'Astrée, Le Concert d'Astrée | A♭ Major | 2 | 4B | 61 BPM | ||
Serse, HWV 40, Act I Scene 1: Aria. Ombra mai fu, "Largo" (Serse) | George Frideric Handel, Ann Murray, Ivor Bolton, Christopher Robson, Patricia Bardon, Umberto Chiummo, Yvonne Kenny, Julie Kaufmann, Jan Zinkler, Chor der Bayerischen Staatsoper, Bavarian State Orchestra | F Major | 1 | 7B | 163 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Stabat Mater: Pro peccatis suae gentis | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 4 | 6A | 79 BPM | ||
O quam suavis (Mottetti a voce sola da diversi Eccellentissimi Autori, Libro primo, Venezia Gardano 1645) | Philippe Jaroussky, Ensemble Artaserse | F Major | 1 | 7B | 91 BPM |
Section: 0.7963521480560303
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