"Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine!" by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold was released on 1993. The duration of Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Purcell: Funeral Sentences & Hail! Bright Cecilia". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Full Fathom Five | Henry Purcell, Voces8, Les Inventions | B Major | 1 | 1B | 104 BPM | ||
Miserere in C minor: Misere I | Thomas Hengelbrock | B Minor | 2 | 10A | 94 BPM | ||
Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" | Felix Mendelssohn, Melanie Diener, Philippe Herreweghe | C Minor | 0 | 5A | 69 BPM | ||
Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" | George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | B Minor | 0 | 10A | 174 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM | ||
Stabat Mater dolorosa | Josquin des Prez, La Chapelle Royale, Philippe Herreweghe | G Major | 1 | 9B | 138 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium | Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort | F Major | 2 | 7B | 76 BPM | ||
Symphony in D Minor: Symphony in D Minor: II. Allegretto | César Franck, Philippe Herreweghe, Orchestre des Champs-Élysées | F♯ Major | 0 | 2B | 90 BPM |
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