"Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre"" by George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1994. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel's "Handel: Marian Cantatas And Arias" album is number 14 out of 20. The popularity of Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il pianto di Maria: "Giunta l'ora fatal" HWV 234: Cavatina: "Se d'un Dio fui fatta Madre" by George Frideric Handel, Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM | ||
Armide: Act II Scene 5: Enfin il est en ma puissance (Armide) | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | D Minor | 1 | 7A | 94 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
Orlando, HWV 31 / Act 1: Mira, e prendi l'esempio...Lascia Amor | George Frideric Handel, James Bowman, David Thomas, Academy of Ancient Music, Christopher Hogwood | A Major | 3 | 11B | 99 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Magnificat in D Major, BWV 243: II. Et exultavit spiritus meus | Johann Sebastian Bach, La Chapelle Royale, Philippe Herreweghe, Agnes Mellon | E♭ Major | 3 | 5B | 101 BPM | ||
Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Rinaldo, HWV 7a / Act 1: "Cara sposa, amante cara" | George Frideric Handel, Franco Fagioli, Il Pomo D'oro, Zefira Valova | E♭ Minor | 2 | 2A | 114 BPM |
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