"Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten"" by Felix Mendelssohn, Melanie Diener, Philippe Herreweghe was released on 1996. The duration of Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" is about 3 minutes long, at 3:04. Based on our data, "Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 7 out of 45. On top of that, France appears to be the country where this track was created. Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" by Felix Mendelssohn, Melanie Diener, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo di Furie e Spettri - Maestoso - Un poco largo - "Chi mai dell'Erebo" (Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 113 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | E♭ Major | 2 | 5B | 91 BPM | ||
Mass No. 2 in G Major, D. 167: IV. Sanctus | Franz Schubert, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | A Major | 3 | 11B | 186 BPM | ||
Locus Iste (Motet), WAB. 23 | Anton Bruckner, Eugen Jochum, Bavarian Radio Chorus | C Major | 0 | 8B | 76 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Semele, HWV 58 / Act 2: Oh Sleep, Why Dost Thou Leave Me? | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | E Major | 0 | 12B | 61 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Paulus: I. Teil: Nr. 7 Rezitativ & Chor T "Sie aber stürmten auf ihn ein" - "Steiniget ihn!" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, James Taylor, La Chapelle Royale | C Minor | 2 | 5A | 121 BPM | ||
Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Minor | 1 | 2A | 105 BPM |
Section: 1.0961425304412842
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