Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium - Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort Information

Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort's 'Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium' came out on January 1, 1990. With Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, New London Consort, Philip Pickett's "Monteverdi: Vespro della Beata Vergine 1610" album is number 1 out of 36. On top of that, United Kingdom appears to be the country where this track was created. Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium BPM

We consider the tempo marking of Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium by Claudio Monteverdi, Philip Pickett, Catherine Bott, Tessa Bonner, Christopher Robson, John Mark Ainsley, Michael George, New London Consort to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Vespro della Beata Virgine - Arr. Philip Pickett: Versiculum: Deus in adiutorium Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.