"Anima dolorosa" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on September 1, 2005. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi, C.: Madrigals, Book 4 (Il Quarto Libro De' Madrigali, 1603)" album is number 17 out of 20. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Anima dolorosa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Anima dolorosa by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals, Book 9: Gl'amoretti l'aura fanno, SV 173b | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Jennifer van der Hart, Wendy Roobol, Andrea Tjader | E♭ Major | 1 | 5B | 123 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
Poiche l'avida sete: Ma tu cagion | Carlo Gesualdo, Delitiæ Musicæ, Marco Longhini | C Major | 1 | 8B | 79 BPM | ||
Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | ||
Sequentia: Pie Jesu | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | E♭ Major | 1 | 5B | 76 BPM | ||
Dixit Dominus, RV 595: Tecum principium: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 142 BPM |
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