Giacomo Carissimi, Alexander Weimann, Les Voix Baroques made "Jephte: Plorate filii Israel plorate" available on February 6, 2010. With this song being about 5 minutes long, at 4:49, "Jephte: Plorate filii Israel plorate" by Giacomo Carissimi, Alexander Weimann, Les Voix Baroques is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 19 in Carissimi: Oratorios by Giacomo Carissimi, Les Voix Baroques, Alexander Weimann. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Jephte: Plorate filii Israel plorate's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Jephte: Plorate filii Israel plorate by Giacomo Carissimi, Alexander Weimann, Les Voix Baroques is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Anima dolorosa | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | C Major | 0 | 8B | 133 BPM | ||
Madrigals, Book 9: Entri pur nel nostro petto, SV 173d | Claudio Monteverdi, Le Nuove Músiche, Krijn Koetsveld, Jennifer van der Hart, Wendy Roobol, Andrea Tjader | G Major | 2 | 9B | 125 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Euridice, Scena I: Per quel vago boschetto | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Luca Dordolo, Sylva Pozzer, Alessandro Carmignani, Mirko Guadagnini, Alessandro Gargiulo | G Major | 0 | 9B | 101 BPM | ||
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Short Service: Nunc dimittis (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 74 BPM | ||
Magnificat in B flat major: Sicut erat in principio | Francesco Durante, Thomas Hengelbrock | A Major | 2 | 11B | 125 BPM |
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