Francesco Durante, Thomas Hengelbrock made "Magnificat in B flat major: Sicut erat in principio" available on August 16, 1996. With Magnificat in B flat major: Sicut erat in principio being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Magnificat in B flat major: Sicut erat in principio's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Magnificat in B flat major: Sicut erat in principio by Francesco Durante, Thomas Hengelbrock is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Votiva, ZWV 18: Kyrie I. | Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 2 | 2A | 116 BPM | ||
Salve Regina in C minor (1736): 1. Salve Regina | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 99 BPM | ||
The Fairy Queen, Z. 629 / Act 2: Prelude...Come, All Ye Songsters Of The Sky | Henry Purcell, Wynford Evans, English Baroque Soloists, John Eliot Gardiner | B Major | 1 | 1B | 104 BPM | ||
Stabat mater in C Major: Christe cum sit | Emanuele d'Astorga, Balthasar-Neumann-Chor, Thomas Hengelbrock | B Minor | 1 | 10A | 180 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium | Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René Jacobs | E Minor | 1 | 9A | 70 BPM | ||
Cavalleria Rusticana: Romanza di Santuzza e Scena Santuzza e Lucia | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Carolina López Moreno, Elisabetta Fiorillo | E♭ Major | 1 | 5B | 76 BPM | ||
Messiah, HWV 56: Part 1: Glory to God (Chorus) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 108 BPM | ||
Cavalleria Rusticana: Scena, Coro e Brindisi | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Balthasar Neumann Choir | E♭ Major | 1 | 5B | 76 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM |
Section: 0.6316561698913574
End: 0.6358778476715088