Magnificat in B flat major: Sicut erat in principio
Francesco Durante, Thomas Hengelbrock
Durante, Astorga, Pergolesi / Sacred Works
1:56 August 16, 1996
BPM
125
Key
A Major
Camelot
11B

Embed

Share Link

Magnificat in B flat major: Sicut erat in principio - Francesco Durante, Thomas Hengelbrock Information

Acousticness
98%
Danceability
32%
Energy
24%
Instrumentalness
0%
Liveness
7%
Loudness
71%
Speechiness
4%
Valence
57%
Popularity
Loudness
-17.504 dB

Summary

Francesco Durante, Thomas Hengelbrock made "Magnificat in B flat major: Sicut erat in principio" available on August 16, 1996. With Magnificat in B flat major: Sicut erat in principio being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Magnificat in B flat major: Sicut erat in principio's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Magnificat in B flat major: Sicut erat in principio BPM

The tempo marking of Magnificat in B flat major: Sicut erat in principio by Francesco Durante, Thomas Hengelbrock is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Magnificat in B flat major: Sicut erat in principio Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Missa Votiva, ZWV 18: Kyrie I. by Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder BerniusMissa Votiva, ZWV 18: Kyrie I.Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder BerniusE♭ Minor22A116 BPM
Salve Regina in C minor (1736): 1. Salve Regina by Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodSalve Regina in C minor (1736): 1. Salve ReginaGiovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher HogwoodE Minor19A99 BPM
The Fairy Queen, Z. 629 / Act 2: Prelude...Come, All Ye Songsters Of The Sky by Henry Purcell, Wynford Evans, English Baroque Soloists, John Eliot GardinerThe Fairy Queen, Z. 629 / Act 2: Prelude...Come, All Ye Songsters Of The SkyHenry Purcell, Wynford Evans, English Baroque Soloists, John Eliot GardinerB Major11B104 BPM
Stabat mater in C Major: Christe cum sit by Emanuele d'Astorga, Balthasar-Neumann-Chor, Thomas HengelbrockStabat mater in C Major: Christe cum sitEmanuele d'Astorga, Balthasar-Neumann-Chor, Thomas HengelbrockB Minor110A180 BPM
Stabat Mater: VII. Juxta crucem by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicStabat Mater: VII. Juxta crucemAntonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
Vespro della Beata Vergine, SV 206: I. Deus in adjutorium by Claudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René JacobsVespro della Beata Vergine, SV 206: I. Deus in adjutoriumClaudio Monteverdi, Netherlands Chamber Choir, Concerto Vocale, René JacobsE Minor19A70 BPM
Cavalleria Rusticana: Romanza di Santuzza e Scena Santuzza e Lucia by Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Carolina López Moreno, Elisabetta FiorilloCavalleria Rusticana: Romanza di Santuzza e Scena Santuzza e LuciaPietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Carolina López Moreno, Elisabetta FiorilloE♭ Major15B76 BPM
Messiah, HWV 56: Part 1: Glory to God (Chorus) by Nikolaus HarnoncourtMessiah, HWV 56: Part 1: Glory to God (Chorus)Nikolaus HarnoncourtD♭ Major13B108 BPM
Cavalleria Rusticana: Scena, Coro e Brindisi by Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Balthasar Neumann ChoirCavalleria Rusticana: Scena, Coro e BrindisiPietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Balthasar Neumann ChoirE♭ Major15B76 BPM
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam"Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van HeyghenD Major010B77 BPM
ISRC
DEE479700282
Label
L-M Records/RCA Records

Section: 0.6316561698913574

End: 0.6358778476715088