"Salve Regina in C minor (1736): 1. Salve Regina" by Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1989. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Pergolesi: Stabat Mater; Salve Regina". In this album, this song's track order is #13. In terms of popularity, Salve Regina in C minor (1736): 1. Salve Regina is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salve Regina in C minor (1736): 1. Salve Regina by Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 121 BPM | ||
Symphony No.4 in D Minor, Op.12 No.4, G.506: 1. Andante sostenuto - Allegro assai | Luigi Boccherini, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 145 BPM | ||
Requiem, K. 626: Domine Jesu | Wolfgang Amadeus Mozart, Stephen Cleobury, Academy of Ancient Music, Christopher Purves, Choir of King's College, Cambridge, James Gilchrist, Elin Manahan Thomas, Christine Rice | C Minor | 3 | 5A | 98 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Ritornello … "Dal mio permesso amato a voi ne vegno" (La Musica) | Claudio Monteverdi, London Baroque, Charles Medlam, Theresa Caudle, Emma Kirkby | B♭ Minor | 0 | 3A | 91 BPM | ||
Pergolesi: Salve regina in F Minor: VI. O Virgo Maria (Alto) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | B Major | 1 | 1B | 58 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
The Gordian Knot Untied, Z.597: Chaconne - Air - Minuet | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 85 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM |
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