"Stabat Mater: VII. Juxta crucem" by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic was released on July 26, 2000. With Stabat Mater: VII. Juxta crucem being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 20 in Caldara: Missa Dolorosa / Stabat Mater / Sinfonias in G and E Minor by Antonio Caldara, Swiss-Italian Radio Chorus, Rene Clemencic. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Stabat Mater: VII. Juxta crucem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Stabat Mater: VII. Juxta crucem by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Mit Fried und Freud ich fahr dahin, BuxWV 76 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 168 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
Glogauer Liederbuch, Part II: No. 70. Dies est laetitiae | Anonymous, Clemencic Consort, Rene Clemencic | F♯ Major | 4 | 2B | 120 BPM | ||
Ahi che si parte il mio bel sol adorno: Voglio di vita uscir | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | B Major | 1 | 1B | 108 BPM | ||
Cosi fan tutte: Ouverture | Wolfgang Amadeus Mozart, Orchestra della Svizzera Italiana, Alain Lombard, Swiss Radio Choir, Diego Fasolis, Domenico Ghegghi, Marcos Fink, Nicola Ulivieri | C Major | 0 | 8B | 137 BPM | ||
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
Pergolesi: Confitebor: II. Confessor et magnificentia | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 79 BPM | ||
Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | B Major | 1 | 1B | 84 BPM |
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