"Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire" by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon was released on May 4, 1998. Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully's "Lully: Ballet Music for the Sun King" album is number 4 out of 35. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Alcidiane: Ritournelle et Recit chante par Mademoiselle Hilaire by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Judas Maccabaeus: Act 3. Duet: O lovely peace | George Frideric Handel, Philharmonia Baroque Orchestra, Lisa Saffer, Nicholas McGegan, Patricia Spence | F♯ Major | 0 | 2B | 170 BPM | ||
Trio Sonata in D Major, Op. 3 No. 2: II. Allegro | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | F♯ Minor | 0 | 11A | 136 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
Concert pour quatre parties de violes, H. 545: III. Sarabande. Rondeau | Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations | D♭ Minor | 1 | 12A | 75 BPM | ||
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro | Arcangelo Corelli, Enrico Onofri | G Major | 3 | 9B | 116 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM |
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