"Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine" by Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie was released on April 27, 1989. With Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. In terms of popularity, Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine by Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phidylé | Henri Duparc, Véronique Gens, Susan Manoff | F♯ Major | 1 | 2B | 68 BPM | ||
Dixit Dominus, HWV 232: 7. Judicabit in nationibus | George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey | A Major | 4 | 11B | 111 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Charpentier : Médée, Act 1: "Courez aux champs de Mars" (Créon, Jason, Oronte, Chorus) | Marc-Antoine Charpentier, William Christie, Bernard Deletré, Jean-Marc Salzmann, Les Arts Florissants, Mark Padmore | A Major | 2 | 11B | 136 BPM | ||
Litanies de la Vierge, H. 83: VII. Rosa mystica | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla | A♭ Major | 1 | 4B | 181 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
Hippolyte et Aricie / Act 5: "Descendez, brillante immortelle" | Jean-Philippe Rameau, Véronique Gens, Ensemble Vocal Sagittarius, Les Musiciens du Louvre, Marc Minkowski | F Major | 1 | 7B | 83 BPM | ||
Les Indes galantes, Première Entrée, Scène 6: Rigaudons I & II. "Fuyez, vents orageux" (Emilie) | Jean-Philippe Rameau, Miriam Ruggeri, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 115 BPM | ||
Stabat Mater, SdB. 008: V. Quis est homo qui non fleret | Sébastien de Brossard, Les Arts Florissants, Paul Agnew | F Minor | 2 | 4A | 100 BPM |
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