Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla's 'Litanies de la Vierge, H. 83: VII. Rosa mystica' came out on April 27, 1989. With Litanies de la Vierge, H. 83: VII. Rosa mystica being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. The popularity of Litanies de la Vierge, H. 83: VII. Rosa mystica is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Litanies de la Vierge, H. 83: VII. Rosa mystica by Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in G Minor: VII. Sancta Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | B Minor | 0 | 10A | 57 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VIII. Qui tollis peccata mundi: Adagio | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | E Major | 2 | 12B | 80 BPM | ||
Charpentier : Médée, Act 1: "Seigneur, la Thessalie attaquant vos Estats" (Créon, Jason, Oronte, Chorus) | Marc-Antoine Charpentier, William Christie, Bernard Deletré, Jean-Marc Salzmann, Les Arts Florissants, Mark Padmore | A Major | 2 | 11B | 136 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
The Plaint | Henry Purcell, Alfred Deller | F♯ Minor | 1 | 11A | 135 BPM | ||
Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | B Major | 1 | 1B | 87 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Rameau : Hippolyte et Aricie : Act 1 "Quoi! la terre et le ciel contre moi sont armés!" [Phaedre, Oenone] | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part I: Chorus. Join with thee calm peace, and quiet | George Frideric Handel, Les Arts Florissants, William Christie | E Minor | 1 | 9A | 86 BPM |
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